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DroodFor me, June has been a month of getting nothing done. Seemingly everything in my life, from writing to keeping up the house, seems unfinished — the lone exception to that being cases of Yuengling, of which I’ve finished two.  On the book front I’ve finished six, though one of those is a graphic novel and I have a hard time thinking of those as really counting.

But hey — I did read Dan Simmons’s Drood, which could crush a car if you dropped it from a highrise, so that counts as two books. Of course, I’ve yet to finish my review of the book (spoiler: it’s excellent), so that’s another tick in the ’slacking off’ column of this month’s tally. Along with, and in preparation for, Drood, I finished Dickens’s The Mystery of Edwin Drood, which I started last month (actually, last year, but I challenge you to prove it to the satisfaction of a jury). But how do I count finishing and unfinished novel? See, even Dickens isn’t getting things done in June (a month that, as a matter of fact, figures prominently and ominously in Drood — and now you can see we have come full circle).

ishiBeyond things Droodish we have things Egyptian — Gene Wolfe’s Soldier of Sidon, to be exact. Picking up the story of perpetual amnesiac Latro after some time has passed following the close of Soldier of Arete, Soldier of Sidon moves the action to ancient Egypt with a trip down the Nile. Fans of the series know what to expect — gods, visions, an unreliable narrator, and Wolfe’s delicious ambiguity. Not my favorite of the series — the books set in Greece feel much more solidly realized and contain more that is interesting to me — but good nonetheless. The book begs a sequel.

Beyond those books, and in amongst the myriad anthologies I’m inching my way through — including two that I appear in, The Best of Every Day Fiction 2008 and Northern Haunts — I’ve managed to grab some time for non-fiction. I highly recommend Theodora Kroeber’s biography of the last ‘wild’ Indian of North America, Ishi in Two Worlds. In 1911 Ishi, a Yahi Indian, came down out of the North California hills after a lifetime of secrecy and privation. He entered the white man’s world, and soon adjusted remarkably to life amongst academics and staff at the University of California’s Museum of Anthropology, in San Francisco. The book is a fascinating look not just the culture of the Yahi, but at Ishi’s adjustment to his radically new environment. More than just a work of anthropology, this is a true biography, and Ishi is revealed as an individual and not merely a type or representative of tribal man.

walk woodsFollowing a recommendation of a friend of mine, I picked up Bill Bryson’s A Walk in the Woods. Bryson is a travel writer and humorist, and his attempt to hike the Appalachian trail as described in A Walk in the Woods is at turns profoundly interesting and laugh-out-loud hilarious. Bryson, accompanied by a old friend who seems a magnet for trouble, experiences the trail life at its best and worst, on the way encountering odd people, places beautiful and strange, and wildlife most of us have not seen outside a nature documentary. What he gains is a new sense of the vastness and grandeur of the American wilderness, and a new appraisal of his own character as well. The book really made me want to go hike or camp — until I remembered Lyme’s disease, bear attacks, and hypothermia. Regardless, I’ll definitely be getting some more by Bryson in the future.

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Murky Depths #7

by Bill Ward

murky_depths_2009_n7Even though the UK’s Murky Depths #8 is out already, I’m just now getting caught up with #7. Everything I said about this magazine in my review of Murky Depths #5 applies in spades to this issue — edgy content, handy format, and super-slick presentation and design. If there were more magazines that looked like this on store shelves we might all be singing a different tune when it comes to the future of short fiction print venues.

Murky Depths has strong shelf appeal — and that always starts with a good looking cover. This issue has one of my favorites, a biplane confronting some strange, colossal creature; and the first feature of the magazine is an interview with the artist behind the image, Chris Moore. Many artists are featured in this issue, which includes a section of biographies of artists and illustrators involved in past and future issues of the magazine. That, combined with the excellent level of interior illustrations and graphic features, make Murky Depths a real feast for the eyes.

Comic strips include “Flashback” from regular Murky contributor Luke Cooper, and James Johnson and Leoanrd M. Giron’s “A Brief History of Dogfighting,” which treats us to an escalation of aerial combat technology from the first thrown brick in WWI to biogenic craft fighting in deep space. My favorite is probably the darkly weird “Bite the Bullet,” again from James Johnson with art by Denis Packer, which shows us what happens when a man literally eats his gun.

There is some strong fiction in this issue. One of my favorites was “Scratch” by Jason Palmer, a story of a nasty future in which an irresistible itching disorder — which tends to result in people scratching whole limbs off — has infected the human race.  Other standouts in a very good mix of stories include Willie Meikle’s fractured “Viewer’s Choice,” the mysterious epistolary tale “The Longest Road in the Universe” from C.S. MacCath, and the gritty flash piece “Survivalist” by Kevin Brown. My own flash fiction piece “A Healthy Outlook” is in there, too, accompanied by a very cool illustration from Ricky Martin.

For a more in depth review of this issue have a look at Gareth D. Jones’ review over at SF Crowsnest.

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apexNice to have a good newsie sort of follow up to my sky-is-falling recent post on Vanishing Print Zines. Seems Jason Sizemore over at Apex just doesn’t want to let his monster die, so he’s pumping it full of electricity and letting it loose on the world once more. Apex Magazine, a pro-rate market, will return on July 6th, and it will also reopen to submissions on the first of that month.

Why and how is Apex making the return? Check out Jason’s complete post over at the Apex site, where he explains he’s got a better revenue plan. He also mentions Apex will be available as a POD product, which satisfies us print snobs. Personally, I’m excited at the prospect, as this is a magazine I’ve followed almost from its inception, and I’ve seen Jason and co. pull off some impressive stunts in the past to keep the magazine and press in good health.

If you want to help Apex survive, consider doing what I just did and buy a copy of Descended From Darkness, Apex Magazine’s first ‘Best Of’ anthology.

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Tangent Online Returns

by Bill Ward

tangentA few years ago the great short fiction review site Tangent Online ran into some trouble, and had to close. I doubt many of us that read it at the time really expected it to come back after so long, but Dave Trusedale, the organizing force behind Tangent, never gave up. One look at the new site is proof that his persistence was worth it and that this zine — which has been on the web covering the short fiction scene since 1997 — is back and better than ever.

Tangent is still focused reviewing genre magazine and anthology short fiction, but it’s got a new look, new contributors, and a whole new crop of reviews to kick things off. A site like this is a great way to keep tabs on what’s going on in the world of short fiction, and a good way, too, to maybe discover new authors or magazines that might prove to be the sort of thing you’d want to subscribe to.

Two of my own reviews, of issues nine and ten of Black Static magazine, are part of the new line up fresh material over at the site, but there are also reviews of all the biggest magazines published this year. But the site isn’t just about reviews — articles, interviews, and editorials round out its coverage of the short fiction scene. Well worth checking out.

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